It's been 30 years since I had been fascinated by music and audio.
All this time, I've made a great number of audio equipments and have been to all kinds of live performances.
Not only listening to them, I also involved live music recordings of jazz, classical music, and Japanese folks using equipments starting from PCM to DAT.

However, nowadays Japan's audio situation is not very exciting for audiophiles.
It seems major brands chase only profits and repeating unnecessary "cutting edge" technical improvments which have no musical betternment. And distributors are just following them. It looks like they leave their main aim ought to be--produce authentic audio that listeners find enjoyment to listen to music--behind.

I guess that there are audiophiles those who lost interest to audio at all, those who lost interest to nawaday's audio and love only "good old days'" ones, those who are are interested in but haven't touched authentic audio, and those who are not satisfied and longing for the authentic audio.
With my enthusiasm to produce amplifiers that can bring them back, or open their eyes, or can satisfy them, I established this company.

Actually, it took two more years since establishment to release first model, to achieve satisfying level of sound, inner structure, and chassis design.
As you can see, now we have 4models that were proudly released, and phono equalizer and other products are yet to come.
How they reproduce live performances?
All I can say is "Try with your own ears and judge!"

Yamasaki Keisuke, President